Alexander Calder The Paris Years 1926-1933

Whitney Museum of American Art

On view October 16, 2008 – February 15, 2009

“For decades [Calder’s] Circus, lent by the artist in 1970 to the Whitney Museum of American Art, has set flight to the imaginations of visiting children and adults. Now the museum is celebrating its genesis in “Alexander Calder: The Paris Years, 1926-1933,” an exhibition that brings the young Calder and the giddy ferment of his artistic circle to life.”
The New York Times,

Josephine Baker IV

Josephine Baker IV

When Alexander “Sandy” Calder (1898ā€“1976), arrived in Paris in 1926, he aspired to be a painter; when he left in 1933, he had evolved into the artist we know today: an international figure and defining force in twentieth-century sculpture. In these seven years Calder’s fluid, animating drawn line transformed from two dimensions to three, from ink and paint to wire, and his radical innovations included openform wire caricature portraits, a bestiary of wire animals, his beloved and critically important miniature Circus (1926ā€“31), abstract and figurative sculptures, and his paradigm-shifting “mobiles.”

Calder in his Paris studio, 14 Rue de la Colonie, fall 1931

Calder in his Paris studio, 14 Rue de la Colonie, fall 1931

The Whitney has the largest body of work by Alexander Calder in any museum and is proud to be the exclusive American venue for this landmark exhibition, co-organized with the Centre Pompidou.

Calder with Myxomatose, Paris

Calder with Myxomatose, Paris

Calder with his Cirque Calder, 1926-30

Calder with his Cirque Calder, 1926-30

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