Ryan Pfluger photographed E.J. Scott for Men’s Fitness‘ November issue. The young man has pledged to run a monthly marathon during the 2012 year to raise awareness about choroideremia, a degenerative disease that he and several of his family members have, which causes progressive loss of vision. Check out Ryan’s work and read the inspiring story of E.J. Scott in Men’s Fitness’ print issue and website!
Men’s Fitness, November 2012 Photographer: Ryan Pfluger
Photo Director: Jane Seymour
Associate Photo Editor: Krystal Atwater
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Kang Kim shot a variety of Jack-O’-Lanterns for Martha Stewart Living‘s October Issue! To view more of Kang’s work, check out his section on the GHA Website.
Martha Stewart Living Magazine, “Making Faces”
Photographer: Kang Kim
Photo Editor: Allison Gumbel
Art Director: Daniel Biasatti
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Our thoughts and best wishes go out to everyone affected by Hurricane Sandy. The Glasshouse team is safe, albeit without power and phones. Please contact us at glasshouseassignment@gmail.com with any questions or requests.
Unfortunately our phones and servers are down at this time and we are not able to receive any emails or calls at our @glasshouseassignment.com addresses.
Evan Kafka recently photographed MIT Professor Rosalind Picard for WIRED UK. The photographs express the centrality of Picard’s work, which focuses on emotion measurement and communication technology. The spreads were displayed in Wired UK’s special MIT edition.
WIRED UK, September 2012 Photographer: Evan Kafka
Picture Editor: Steve Peck
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Photographer: Ryan Pfluger
Design Director: Arem Duplessis
Director of Photography: Kathy Ryan
Photo Editors: Stacey Baker, Clinton Cargill, Amy Kellner, Luise Stauss
Art Director: Gail Bichler
Deputy Art Director: Caleb Bennett
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Photographer Ryan Pfluger had the opportunity to shoot portraits of Brooklyn Artist Mickalene Thomas for NYTM. The artist’s work is being debuted in an exhibit entitled “Origin of the Universe,” now showing at the Brooklyn Museum through January 20, 2013.
Photographer: Ryan Pfluger
Design Director: Arem Duplessis
Director of Photography: Kathy Ryan
Associate Photo Editor: Clinton Cargill
Art Director: Gail Bichler
Deputy Art Director: Caleb Bennett
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Photographer: Kang Kim Food Stylist: Karen Evans (“Beet Handbook”); Brett Kurzweil (“Just the Facts: Winter Squash”)
Photo Director: Alice Albert
Deputy Photo Editor: Kathleen E. Bednarek
Assistant Photo Editor: Casey Oto
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Photographer Adam Taylor has been awarded two honorable mention awards in IPA‘s Advertising category for his 2012 Schweppes “Your Taste” campaign, and two honorable mention awards in IPA’s Fine Art category for his personal series, “The Island.” Congratulations Adam!
Photographer: Kang Kim Food Stylist: Jamie Kimm
Photo Director: Alice Albert
Deputy Photo Editor: Kathleen E. Bednarek
Assistant Photo Editor: Casey Oto
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Food Network Magazine commissioned Kang Kim to photograph the “He Made She Made” French Fries recipe face off between chefs Emeril Lagasse and Ree Drummond. FNM features new “He Made She Made” recipes every month, and Kang has loved the opportunity to showcase the work of creative and renowned chefs like Emeril Lagasse and Ree Drummond through his photographs. For more He Made She Made Recipes, check out Food Network Magazine’s Website.
Food Network Magazine, “He Made She Made” French Fries
Photographer: Kang Kim Food Stylist: Stephana Bottom
Photo Director: Alice Albert
Deputy Photo Editor: Kathleen E Bednarek
Assistant Photo Editor: Casey Oto
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Evan Kafka recently had the pleasure of shooting OMGPOP‘s founder, Charles Forman, and their current CEO, Dan Porter, for Inc. Magazine. Working with the wonderful Travis Ruse at Inc, Evan had a great time shooting the team behind the accomplished multiplayer gaming website (now owned by Zynga). See below for a tearsheet from the July/August issue of Inc and a test shot Evan took of photo editor Travis Ruse.
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Kickstarter, “a funding platform for creative projects,” was started by the founders in 2009, and has since become a phenomenon that has enabled the creation of films, inventions, books, festivals, clothing, and countless other projects from all over America. Often, pledge supporters will receive a thank you gift, such as a finished copy of the book, film, or project.
We love the variety of subjects Ryan Pfluger gets to shoot, and his portraits never cease to tell a story and perspective. Check out the online article and pick up the print issue, on stands Monday,
September 24, 2012.
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We were thrilled when Lea Golis at NY Magazine called Ryan Pfluger to shoot Michael Chabon on location in Maine. If you haven’t already seen this week’s issue, grab it on stands now. Here are some of our favorite shots from Ryan:
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Trevor Dixon and BHLDN recently teamed up to create a new collaboration project. Although the two have had a partnership for years, the new project included Trevor directing and shooting still photographs and five motion videos for BHLDN. Thus, the bridal company (which shares roots with sister company, Anthropologie) released an exciting motion and print ad campaign, that celebrates some of the most stylish trends in bridal looks. The campaign, titled “Before I Do: Hair & Makeup,” features five new videos that include the “how-to” steps to recreate each of the five looks in the campaign: The Romantic, The Lady, La Bohemienne, and TheMuse.
BHLDN Motion, The Muse
This was one of the first projects Trevor took on that focused on the motion aspect of the shoot. It’s success was dependent on a strong and innovative production team, which included the talented work of BHLDN Creative Director Balwant Ahira, BHLDN Producer Maria Walsh, Makeup Artist Riku Campo, Hair Stylist Moiz Alladina, and Digital Technician/1st Assistant Video Editor Charlie Wrzesniewski. We got a chance to speak with Trevor about the shoot, and it sounds like it was an exciting endeavor that he’s looking forward to pursuing in the future (along with his continual passion for still photography!).
BHLDN’s How-to Video, La Bohemienne
GHA:Trevor, Can you share a little bit about your history of working with BHLDN? Trevor:I’ve been working with BHLDN since the brand was formed about two years ago. It is an offshoot of the Anthropologie brand, and I’ve been working with them for almost ten years.
GHA: How was the creative concept developed? Did you have any input, and if so, in what ways? Trevor: From the beginning, the creative team at BHLDN was pretty clear about what they wanted. My input was to take their concept and tweak it a bit and add my own touches. Also, I needed to be the one to reassure them that we could pull this off from a technical standpoint.
GHA: As photographer and director, what specific job roles did you have in the shoot? Trevor: I was responsible for overseeing the whole production and working closely with BHLDN’s creative director, Balwant Ahira, to make sure he was getting the results he expected.
GHA:What camera(s) did you use for the stills and for the video? Trevor: I used the Canon 5D Mark 3 for both stills and video.
GHA: How did you set up lighting for the video? Trevor: I tried a few quick setups, but I generally like to use one light– so that’s what I ended up using. Specifically, I used a Joker Bug 200 HMI shot thru a white umbrella.
GHA: Approximately how many people were on set? Trevor: 15.
GHA: What was the atmosphere like? Trevor: Fun, energetic and playful. I think everyone was on the same page and really enjoyed watching this idea unfold.
GHA: What was the most challenging part of the actual shoot day? Trevor: The writing of the titles. Using a paint marker, our model had to write the titles backwards on a sheet of Plexiglas. Each time she messed up, we had to scrub the marker off (no easy feat) and try it again. Just the four titles took about three hours of shooting.
GHA: What were some differences that you found you needed to take into consideration when shooting motion vs. shooting the stills for this shoot? Trevor: Since a lot of the time-lapse was made of up still photographs, I really approached the project from a very familiar place. What really makes that possible is using the same camera for both still and video capture. The hard part was getting the stills and video to blend well in editing.
GHA: Was there anything else that particularly stood out to you about this shoot?
Trevor: I just really enjoyed this process from start to finish. Everyone involved was working together to make it the best piece possible and I think we nailed it.
To see Trevor’s newest work and insights as a photographer, check out his blog. To see the other looks and more inspirations from BHLDN, check out their Explore Page.
For more information about any of the Glasshouse photographers or for portfolio requests, please contact
Trevor Dixon shot Candace Nelson, founder of Sprinkles, as well as the beautiful, new Sprinkles Ice Cream Beverly Hills location this summer. Candace, renowned pastry chef and judge on Food Network’s Cupcake Wars, founded Sprinkles in 2005 – then creating the world’s first cupcake bakery. We are proud to be a part of the new Sprinkles Ice Cream shop and look forward to a New York outpost soon. Andrea Lenardin created the branding and design for the cupcake and ice cream stores as well as the fun and innovative Cupcake ATM. We love the clean, beautiful aesthetic and might head up to grab some Sprinkles cupcakes on our lunch break today!
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Pick up the current issue of TIME for Ryan Pfluger‘s Cat Power shoot. Ryan spent time with Cat Power (Chan Marshall) at her home in Miami last month. Visit Ryan’s blog to hear more about the shoot and his insights on photographing a respected artist he grew up listening to. We’re in love with these!
For more information about any of the Glasshouse photographers or for portfolio requests, please contact
Client: Huggies Agency: Ogilvy and Mather Chicago
Group Creative Director: Chris Turner, David Metcalf
Senior Art Buyer: Susan Hatten
Art Director: Vince Soliven
Having their images on these book covers doesn’t just mean national coverage for these photographers. Here are a few books (published in foreign countries) that have chosen our images for their covers.
Maryse Vaillant is a psychologist who wrote Les Hommes, L’amour, La Fidélité (which translates to Men, Love, and Fidelity) to discuss how infidelity affects marriage. Chris Leschinsky‘s image of a women riding a bike is one of the images chosen to appear on the cover of this French book.
“My mission was to craft something beautiful and stylish, without seeming contrived. The compositions are not overly staged or manipulated and capture real moments of joy and celebration from our talent.” –Adam Taylor
Agency: Impact BBDO Dubai
Client: Emirates (Dubai)
Photographer: Adam Taylor
Photography Producer: Mark Risso-Gill
Executive Creative Director: Fouad Abdel Malak
Associate Creative Director & Art Director: Jorge Thauby
Creative Group Head & Copywriter: Carolyne Nailer
Group Account Director: Peter Zagalsky
Account Director: Seb Buckley
Creative Services Director: Tennyson Torcato
Account Manager: Tina Diaz
Art Buyer: Mariam Moin
Production Company: Magnet
Line Producer: Gemma Beecher
Stylist: Mary Kei McFarlane
Retoucher: Cream Australia & Image Clinic New York
Glasshouse Images/Stone Thrower 