Ryan Pfluger, Model Citizen for OUT

Check out Ryan Pfluger’s latest installment of Model Citizen for OUT. I’m a particular fan of the lean below. As always, nice job Ryan!

See more of Ryan’s work on our site and on his wonderful blog!

For more portfolio requests or more info on Ryan Pfluger, feel free to contact his rep.

Jacqueline Bovaird  |  Glasshouse Assignment

212 462 4538  |  jacqueline@glasshouseassignment.com

Miha Matei for Weight Watchers

Warning! You will be hungry after looking at these photos. There is no getting around it so don’t say I didn’t warn you.

Miha Matei’s food photography recently came out in the May issue of Weight Watchers magazine. We did this shoot way back in the beginning of February so it’s very exciting to finally be able to share the tear sheets! The shoot went perfectly and the whole team was really wonderful. Thank you so much to Deborah Hardt, our wonderful photo editor, food stylist Anna Elisa de Castro, and prop stylist Paige Hicks, who worked with Miha to make this all turn out beautifully.

See more of Miha’s portfolio here on our site, as well as her site and blog.

For more portfolio requests or more info on Miha Matei, feel free to contact her rep.

Jacqueline Bovaird  |  Glasshouse Assignment

212 462 4538  |  jacqueline@glasshouseassignment.com

Ryan Pfluger and a Celebrity Sneak Peek

In light of his recent TIME image and Sundance shots on The Block, we’ve decided to gather a sneak peek of some of Ryan Pfluger’s celebrity images. When our new site launches, we’ll have this segregated out, but in the meantime, check it out on our client access section (password: celebrity) here.

For your viewing pleasure, here are some of my favorites:

Tilda Swinton

John Hawkes

Charlie Bewley

Paz de la Huerta

Gus Van Sant

For more portfolio requests or more info on Ryan Pfluger, feel free to contact his rep.

Jacqueline Bovaird  |  Glasshouse Assignment

212 462 4538  |  jacqueline@glasshouseassignment.com

Top 13 Ways to Piss Off a Photo Editor

Check out a fantastic post on the Photo Shelter blog about mistakes made when working with Photo Editors. You’ll read this and think most of it is commen sense, but you’d be surprised how many people are that unprofessional and.. well.. dumb.

Here are a few of my favorites:

“Asking me to call photo editors of OTHER magazines on your behalf, to recommend that they meet with you.” – Roberto De Luna, Photo Editor, Time Out NY

“Change your phone number without telling me – or move or go on vacation or on a out-of-town assignment without notification. I need to know where you are.” – Phaedra Singelis, Supervising Producer – Multimedia, msnbc.com

“Using Facebook for professional email correspondence (additionally, spamming someone multiple times to join your Fan Page.)” – Ryan Schick, Editor, Redux Pictures

“Don’t tell me how hard you worked… that’s what’s expected of you.” – Nate Gordon, Picture Editor, Sports Illustrated

See them all HERE.

Ryan Pfluger shoots Marc Jacobs for TIME

We’re very happy to announce that Ryan Pfluger shot for the new issue of TIME Magazine! For their “100 Most Influential People” issue, Ryan shot Marc Jacobs in his home. The image they chose is so intimate, meditative, and quiet, which is a side of Mr. Jacobs we rarely see. See the tears below as well as one of our other favorites from the shoot. Nice job Ryan!

Here are two more from the shoot we like:

For more portfolio requests or more info on Ryan Pfluger, feel free to contact his rep.

Jacqueline Bovaird  |  Glasshouse Assignment

212 462 4538  |  jacqueline@glasshouseassignment.com

Group show with Ryan Schude

If you’re in the Los Angeles area tonight, make sure to drop by This Gallery for a group show including Ryan Schude’s work. If you’ve never seen a big juicy print of his, it is definitely worth the trip to see all the details. Seeing these on a screen just doesn’t do them justice.

THIS, 5906 N. Figueroa St. Los Angeles, CA

You’ll see these gems:

For more info on Ryan Schude, feel free to contact us anytime.

Jacqueline Bovaird  |  Glasshouse Assignment

212 462 4538  |  jacqueline@glasshouseassignment.com

Q&A: Networking

Networking: The good, the bad, and the inevitably awkward.

The term “networking” makes me cringe a bit and I’m not sure why, especially since I go out and do just that most nights after work. I never put much energy into meeting new people until I became a photo agent. When I began, I realized very quickly that this industry sits on a fragile infrastructure of friendships and personal relationships. I started going to any and every event I could and slowly started to meet people. Once I made a few connections, it no longer felt like I was working and I looked forward to meeting up with this new group of friends. My advice is not see people as a business connection, because that becomes transparent quickly. Instead, think of networking as meeting people within your industry who inevitably share the same interests. These people have the same stresses you do each day and maybe they’ve found solutions you haven’t thought of. For me, knowing other reps has kept me sane on more than one occasion.

For this month’s Q&A, I thought I’d get people’s reactions to networking. We’re not talking about social networking here, but rather the good ol’ fashioned meet and greet. Almost everyone acknowledges the inevitable awkwardness, but also accepts the value of fostering a supportive community. Most of the people below I’ve met at events and, over time, have become good friends of mine.

The images from our Glasshouse Assignment photographers are all a sneak peek of projects to be released soon, to stay tuned for some very exciting updates! As always, thank you so much to everyone who contributed and is helping to move this Q&A series along.

– Jacqueline Bovaird, Glasshouse Assignment

EVAN KAFKA, PHOTOGRAPHER, GLASSHOUSE ASSIGNMENT

Many of the events in your town will be populated by the same people and it becomes sort of like a clique. That can be very helpful in getting work, if you’re lucky.  At the bigger events, it can be hard to meet people. I guess perseverance pays off eventually and you may make a meaningful connection. It also depends on your personality. I like parties and I think I am good with people, but I’m not the most extroverted. There are certain people who can really work a party. That is a gift that, if not too obnoxious, can go a long way.

ELISE DAHER, ART BUYER

I am terrible at networking. I’ve always been a bit shy (no one believes me when I say this, but for the record, I am shy!), and I have a really hard time approaching people that I don’t know. I do find that industry parties such as Adhesive, which encourage name-tag wearing (and alcohol consumption) make networking for people such as myself a lot easier.

Ultimately, I do find that face-to-face meet ‘n greets, whether it be meeting with a photographer and looking at portfolios together, or mixers like Adhesive/Resource parties, are invaluable. Putting a face to the name always helps me keep people at top of mind (or have them keep me top of mind) other than the few of you who, for whatever reason, my brain can’t seem to remember. You know who you are and I’m sorry!) And walking into a room where everyone greets you like you’re Norm in “Cheers” is a nice feeling.

JANESSA MARKGRAF, PHOTO AGENT, MARNIE ROSE AGENCY

Personally I love networking. As far as I’m concerned, adding another notch to your metaphorical belt of contacts is never a bad thing. It’s important, if not a key, to a successful career in such a fickle industry. Of course it goes without saying, it is far more beneficial to someone new to the industry and/or looking for work, as opposed to one who already has a successful established career.

In my case it was and continues to be beneficial. Having moved to New York just over two years ago as a photo assistant from Minneapolis with a mere two connections in NYC, if it hadn’t been for me attending industry events like they were going out of style, collecting business cards, following up with new contacts and maintaining those relationships I don’t think I would have accomplished nearly as much as I have in such a short period of time. Although, I do feel being an extrovert with a very charismatic personality is helpful and puts me at an advantage.

As an agent, it is now part of my job to network on behalf of the agency, both promoting the talent we represent and creating awareness of the agency itself. I find people in the industry are very good about sharing information and resources, so although you might not receive a job directly from your networking efforts, it doesn’t mean you shouldn’t bother doing it. You never know when you might exchange information with the right person at the right time. It’s all about timing and who you know right? Or at least that’s what I was always told.

RYAN SCHUDE, PHOTOGRAPHER, GLASSHOUSE ASSIGNMENT

Meeting people is how we interact as humans. It is inevitable and happens naturally most of the time. It becomes awkward and painful, when it is a forced situation like when someone introduces two people and says, “you’re both from Chicago, now talk about it!” Or when I am on the phone with my Dad and in front of my Mother he says, “You wanna talk to your mother?” Well, maybe I did but I now I really have to don’t I? It seems most jobs I get and most jobs other photographers I’ve talk to are from people they know personally.

Other ways to build this relationship is through a local photo community. If one is not available, create one. Here we meet with different groups of photographers a couple of times a month and always try and include other industry people who have interest in looking at photos. Slideluck Potshow has a good model I’ve tried to use on a smaller level as well. Throw a dinner party at home that is super casual where there are photos projected on a wall or bring it to a restaurant or bar. If nothing else you can get inspired by looking at new work with a few friends, but it also opens up the possibility of a less rigid environment than a formal “networking” meeting.

DANIELLA NILVA-CUNNINGHAM, PHOTO EDITOR

I believe networking is extremely important.  In this age of electronics, everything is becoming less personal. Gone are the days of face-to-face to meetings. Most of us are far too busy to meet with most of the people we need or want to network with.  There are only so many hours in the day.  More and more we are being asked to do the jobs of two or more people. It becomes harder and harder to get in front of your clients.  We hire people over the phone and more so via email.  Sometimes networking is fun and sometimes it’s extremely painful, however, I force myself to do it.  In the age of this economy we can no longer count on the fact that our jobs will be here tomorrow, let alone the clients we work with.  We need to do our best to keep up with the ever-changing face of media and technology by educating ourselves and networking with our peers

You need to constantly network to meet new clients, learn from others, collaborate and bottom line–survive.

To answer your question about community, first and foremost produce great work. Make the time to network. Get out from behind your blackberries, your iPhones and your computer and go out and meet people. Join organizations, Get involved with your community, get referrals, go to events, lectures, seminars, join a listserve on the topics that interest you. Educate yourself every day and stand out from the crowd, otherwise, you are just another phone call or email in the daily barrage of communications that we all receive every day – all of which is too much to handle as it is.

In summary, I can’t tell you much I have learned, how many great people I have met or the long lasting friendships I have gained out of networking, and the icing on the cake is the jobs I have gotten because of it.

AUDRIE LAWRENCE, PHOTO AGENT, REDUX

I love meeting new people. My interest in the world of photography and being among those in the industry led me to my current job as an agent. The socializing aspect is never really awkward or painful for me though, breaking out and meeting totally new people when I go to events is sometimes a challenge because it’s so easy to stay with in the circle of people I know.

I think networking is very important. It could mean face time with someone that you may want to show your work to that may not be responding to your emails or calls. It’s also a great way to find new, talented people who can become a resource.

In my short time as an agent I have had the pleasure of meeting wonderful people through networking events. Some of these people have become invaluable to my daily dealings and, more importantly, good friends. They are the first people I call when I need an underwater housing, a stylist in Detroit, or advice on a new client. Without these people I would be lost.

I love the sense of community and support that exists.  If you love photography, networking with people that have that interest is also fun.  Being around your peers, supporting artists new and established is a great way to keep the industry moving forward.  Networking events whether it be parties, exhibitions, or trade shows are all good sources of keeping you abreast of what’s happening in the world of photo and hopefully inspire.

MIHA MATEI,  PHOTOGRAPHER, GLASSHOUSE ASSIGNMENT

I’ve found that networking is an important part of having a freelance business, especially in the photography world. It’s often who you know that can help your career along. I personally love going out and meeting new people, even if it doesn’t lead to a job. It reminds me that there’s life on the other side of the camera!

I would have never gotten my first cookbook if I hadn’t made calls to restaurant owners to go in and meet with them. You can’t sit back and wait for work to come to you. You have to show passion for the business, otherwise it will not sustain you. It’s also nice for art directors/art buyers to meet who they are going to hire face to face so they can trust and have confidence that they are not just hiring talent, but also a competent and likable person.

As part of my networking, I recently joined Savor The Success, a networking group for women entrepreneurs who meet once a month to discuss how they can improve their businesses. Most of them need lifestyle and product photography for their business, which allows me a great opportunity to meet new clients in a different setting. It’s such a great opportunity to connect with them and, even if we don’t end up working together, it’s great to talk with other strong women and learn different business skills.

TONY GALE, PHOTOGRAPHER

I firmly believe that the more people you know the better, so of course networking is extremely important. We are in an industry that is fundamentally about the relationships you have with other people. You never know who you will meet, or who they might know that can help you or answer a question or even refer you for a job. It is equally important to be forthcoming with information and help as well.

It can be difficult and awkward to network, especially if it feels forced or disingenuous. When you go to an event, everyone is there to have some good conversation and maybe meet some new people, so almost everyone is in the same boat. If you can find someone you know, ask them to introduce you around and it snowballs. The more people you meet the more you will meet at the next event. By the same token if I meet someone new who could benefit from meeting someone else there I know, I will always try and introduce them. It works both ways.

I was initially very intimidated by going to industry events where I felt forced trying to network and meet people. But people are interesting; they all have something to say. Find what is interesting and find the connection with the other person. You can always go up to the person standing alone and talk to them; they are just as intimidated and nervous as you.

A simple shortcut to networking is to get involved with one of the creative trade organizations, (APA, ASMP, SPD, ADC, ASPP etc). They all need volunteers and you will meet a lot of people in a very short time, and maybe even do so good. I joined the ASMPNY steering committee shortly after moving to NYC, and have been on the APANY board for the last several years. The number of people who I have met as a result is staggering.

Facebook is also a tremendously powerful tool. Everyone you meet can be potentially added as a friend on Facebook, then you have one more connection. You will both be much more likely to remember each other the next time, and it builds like crazy.

RYAN PFLUGER, PHOTOGRAPHER, GLASSHOUSE ASSIGNMENT

For me networking has always been a love/hate relationship.  I love meeting new people, and I think putting a face to a photographers work is incredibly important. Especially for someone like me, the face-to-face interaction really helps people form a closer bond to my work.  Some of the best clients I work with are through cultivated relationships over time.  That being said, the initial process can be completely terrifying and stressful.  I never have liked the idea of having to try and sell myself to someone.  Everyone approaches networking differently, but for me it’s just like making new friends.  Sometimes you hit it off, and sometimes you don’t.  While it is very important, a lot of times you just have to realize your work speaks for itself.  If that’s not enough, maybe it’s not the right client for you.  In the end, loving what you do and expressing that to clients is really all you can do.  The rest just falls into place how it will.

TOM McWILLIAM, PHOTOGRAPHER

Networking. Without it we don’t exist as a civilization. Imagine what the Island of Manhattan would be like if we didn’t, begrudgingly, talk to each other about what we want to do. What an anthill it would be!

As a visual content provider in a world of continuous flux, networking can reach the decision maker who will give us a national ad campaign. Other worthwhile opportunities and alliances benefit from networking; a gallery show or public service campaign come to mind. In a world where our craft and our means of expression are always plugged in, turned on networking in technical and legal areas is a necessity.

You can of course spend a lot of time accomplishing nothing but feeding the insatiable social beast and its “friends” through networking, but sometimes even social networking moments can be a crystal ball. This type of networking recently saved me pain and embarrassment.  The interpersonal skills and professionalism of a person I was thinking about hiring/referring as a team member on an important campaign was recently put to a test at a networking event.  As a result of their behavior that day I don’t regret my decision to not invite them on a two-week trip to a far away place where English is the third language and there was only one flight per week to anywhere other than where I/they landed.

Keep a look out for next month’s question and email blast!!If you have any ideas, comments, or if you’d like to participate in our monthly email Q&A, please don’t hesitate to contact me, Jacqueline Bovaird. I am always looking for new voices to add to this evolving discussion.
212 . 462 . 4538   |  jacqueline@glasshouseassignment.com

Sneak Peek: Ryan Pfluger’s work from Sundance

Ryan Pfluger and I have been brewing up a surprise for you. Here’s a peek…

Ryan went to the Sundance Film Festival this year and came back with an enormous amount of incredible material. We’ll be releasing a lot of new work from the trip soon, but for now here is your appetizer. You can also see a few more on The Block from Ryan’s Sundance trip here. I love this image of Tilda Swinton and am hoping you will too.

Also, don’t forget to check out his portrait and fashion portfolios on our site, as well as his blog.

Simple. Perfect.

Wow. I’m loving this. So simple… nice job DDB Brazil and everyone else involved. It’s worth seeing larger so click here.

Advertising Agency: DDB, Brazil
Creative Directors: Rodrigo Almeida, Renata Florio, Sergio Valente
Art Director: Max Geraldo
Copywriter: Aricio Fortes
Photographer: Manolo Moran

via Ads of the World.

Evan Kafka in Forbes

Check out Evan Kafka’s new image in the current issue of Forbes Magazine. I don’t know about you.. but that dog on the right is giving me the eyes.

See more of Evan’s work here!

For more information on Evan’s photography or for portfolio requests, please contact his rep (me):

Jacqueline Bovaird  •  212-462-4538

jacqueline@glasshouseassignment.com

Ryan Pfluger in CITY

Check out Ryan Pfluger’s contribution to the latest issue of CITY, available now. Ryan photographed filmmaker Ramin Bahrani.

See more of Ryan’s portrait and fashion work. Enjoy!


For more info on Ryan or for portfolio requests, contact Jacqueline Bovaird.

jacqueline@glasshouseassignment.com  212.462.4538

www.glasshouseassignment.com

An App for Model Releases?

Need a model release on the go? Seems to be there are developers who have your back on this one. Here is an iPhone app called Easy Release where you can customize a release, add a photo of the model, and even have them sign in right on the screen before emailing you and them a pdf of the final contract.

Considering the reviews aren’t great, I’m a little skeptical. That being said, once they’ve figured out the kinks I see this being pretty popular.. what do you think? Would you sign a release on someone’s phone? I’m wondering also if these releases will be accepted by the major stock agencies…

See more from the Apple store here.

Photographers, do you blog?

Mine do!

Since one of our photographers recently joined the blogging bandwagon, I thought I’d do an updated list of all their blogs here. It’s interesting how everyone has taken a somewhat different approach. Ryan Pfluger’s personal commentary let audience easily feel like they know him, while Miha and Evan keep things centered around their most recent work. Ryan Schude’s music suggestions are not to be missed, along with posts of his personal work, which take a different tone than his commercial portfolio. Check out their blogs with the links below, but also make sure to browse our site and see their commercial portfolios. Enjoy!

Ryan Pfluger

Ryan Schude

Evan Kafka

Miha Matei

Derrick Gomez

Ryan Pfluger in New York Times Magazine

Check out Ryan Pfluger in a recent New York Times Magazine. The print quality from this issue was a little frustrating, but we know how it goes. See Ryan’s portrait of Lockhart Steele below and check out the online version of the story here! Nice job Ryan!

See more of Ryan’s portfolio here.

For more info on Ryan or for portfolio requests, contact Jacqueline Bovaird.

jacqueline@glasshouseassignment.com  212.462.4538

www.glasshouseassignment.com

Emerging Photographers Grant

Here is a new grant from Burn Magazine that seems more than worthy of your time.

From their site:

EMERGING PHOTOGRAPHER GRANT 2010

We are now receiving submissions for a grant of $15,000.

Funding is  designed to support continuation of  a photographer’s personal project. This body of work may be of either journalistic mission  or purely personal artistic imperatives…

The Emerging Photographer Fund grant  was initiated by David Alan Harvey in 2008, and is awarded by the Magnum Foundation, a non-profit created by the member photographers from Magnum Photos, Inc…Funding for the EPF has come from several  private donors who have chosen to remain anonymous.

The EPF  Jury for 2009 was: Martin Parr, Gilles Peress, Eugene Richards, Carol Nagar, Fred Ritchin, Maggie Steber, David Griffin, John Gossage and James Nachtwey…

The EPF grant 2010 submission link: http://burn.slideroom.com

Deadline for submission: April 15, 2010

The winner will be announced in June, 2010

Reel Roulette

Goodbye my spare time. Hello Reel Roulette.

I came across this little gem today and know it will become a staple during my lunch break. You can submit your motion reels to be thrown into the mix, or simply search randomly through those posted. So far I’ve enjoyed the ones I’ve seen, and if you don’t you can just skip to the next. Enjoy!

More on Rachel Hulin, Photographer

Well now that you’ve heard from me all about the lovely Rachel Hulin, the blogger and internet queen, it’s time to read more about Rachel Hulin, photographer. Check out an interview with her by Neil Binkley over at Wonderful Machine.

Here’s one of my favorites from her site:

Q&A: The Photography Post

A New Magazine Model, Part 3

In the final installment of my three part series about an evolving magazine model, I’ve decided to end with a grand finale of sorts. With the bulk of content migrating online, there seems to be an emergence of individual online identities. In the photo community, there are a few people who have risen to become sources for our online information. Those who come to mind immediately include Rob Haggart, Jörg Colberg, Andrew Hetherington, and, of course, Rachel Hulin. Rachel, who is also an amazing photographer, has been a popular barometer for great photography for some time now. I’ve been hooked on her witty style of writing since the good ol’ days of Photoshelter’s now defunct Shoot! The Blog.

Since then, she’s has been parking her bits of wisdom and humor on her own blog here, which is one part industry news, one part humor, and a heavy dose of great photography. Naturally, I was excited to hear about her new project, The Photography Post. While TPP is a source for original content, it is also a marketplace and a visual aggregate of other blogs. It’s this aggregate functionality which is the most exciting part here. It plays into the immediacy of information we all crave, and the filter we inevitably need when being bombarded with online content. Introduced on February 16th, TPP has already become a huge resource for the online photo community. With fellow editors and contributors Danielle Swift and Kate Steciw, Rachel has created a way for us to step back and and get a larger picture of our online sources.

Since Rachel is known for her lighthearted writing style, I’ll sprinkle in some equally jovial photography from our very own Ryan Schude. Also, if you’ve been paying attention, you also know Rachel has a thing for floating people…so this selection is for you!

Check out Ryan’s blog and portfolio, and feel free to contact me any time with questions, ideas, or anything else that comes up. Thank you so much to Rachel Hulin for taking the time to contribute! Don’t forget to check out The Photograph Post! Enjoy!

– Jacqueline Bovaird, Glasshouse Assignment

JACQUELINE BOVAIRD: Tell me a little about your background and how it led to being involved with The Photography Post…

RACHEL HULIN: Well, I’ve been involved in the photography industry in many different ways for some time. I was a graduate student in the joint NYU/ICP program in 2001, and ended up working in the administration office at ICP. I met amazing students and faculty and industry stalwarts and artists, and have kept in touch with many of them throughout the years.

After ICP I moved on to photo editing, mostly online. I worked at Nerve, Rolling Stone online, Radar Magazine, and People.com, among others. I tried to create really dynamic and new content for the online arena. Around 2005 and 2006, photo blogging became a bit of a thing, and blogs by photographers and editors started popping up everywhere. I was instantly hooked, and jumped at the chance a few years later to write Photoshelter’s blog, Shoot the blog, which really drew me into the online discussion in a big way.

Since then I’ve been maintaining A Photography Blog, shooting a lot of my own work, and developing The Photography Post with Danielle Swift and Kate Steciw.

JB: How did TPP come about? What were the goals from the beginning?

RH: I had worked with Kate at Nerve.com (she is a super talented photographer) and she introduced me to Danielle, who has also been in the industry for years. We were all hooked on blogs, and wanted to create a centralized, visual place where professionals from all genres of photography could join in a discussion. We also wanted to give the many talented bloggers out there a platform that, through reciprocity, encourages them to continue what they are doing.

We hope that we can connect otherwise disparate voices and ideas within the photo industry by supplying this curated overview of the blogosphere. We’re also trying to have a little fun. (see Friday round up)

Ryan Schude (blog, portfolio)

JB: I believe the blog aggregate format, when used well, is brilliant. How did you decide on this format?

RH: Oh gosh, we had so many meeting over the course of about a year and it’s now kind of a blur! I can’t remember the exact moment- I remember we were wanting to create a sort of visual twitter, and we discussed the idea with our brilliant developer Henry Tam, and he made it happen. We went through a lot of iterations, and it was exciting to see the feeds start to have a life of their own.

I still get excited checking it out every few hours; it’s amazing to see what kind of visual interactions the feeds have. Sometimes the juxtapositions are shockingly awesome, and sometimes something weird happens, like all 90 blogs will post a purple image on the same day. It’s fun to see common threads appear.

It was really hilarious and gratifying to see our homepage pop up several times on the day we launched. Very Marshall Mcluhan!

JB: How do you see it as different and unique from other online photography resources?

RH: I think we’re unique in giving everyone a little piece of real estate, and by sort of letting the content be king. We choose the blogs we feature, but after that, they run on their own and they update on their own.

Hopefully we can continue to roll out community-driven initiatives in the coming months, but we’re really excited about all the great feedback we’ve gotten so far.

Ryan Schude

JB: How do you find new content for the site?

RH: Brainstorming, meetings, and excel sheets! And we’re all kind of web junkies, or you know- nerds. So we have a lot of ideas bouncing around.

JB: So many times we all put things out into the internet black hole and never know what might come back at us. Since its release, it seems the response to TPP has been huge. Any particular moment that made you think, “wow, this worked!”?

RH: Well, we hope it will get bigger and bigger! We’re thrilled with the response so far, but want to continue to do awesome things, and ride the photo wave of the future. So to speak.

——

Keep a look out for next month’s question and email blast! If you have any ideas, comments, or if you would like to participate, please don’t hesitate to contact me, Jacqueline Bovaird. I am always looking for new voices to add to this evolving discussion.

Jacqueline Bovaird  •  212 – 462 – 4538

jacqueline@glasshouseassignment.com

Ryan Schude, Loving the Lubitel

Check out a photographer near and dear to our hearts, Ryan Schude, in an interview about his Lomo Lubitel 166+ camera. So, if you’re in the mood to laugh a little and hear how Ryan got back into shooting film, here is the interview. Some of my favorite excerpts and images are below. Check out another photographer we like, Noah Kalina, and his Lomo love here.

The strangest, funniest, hands-down greatest photographic/Lomographic encounter that you have ever had.
RS: Oh, this is a good question, hmm, there is a diptych I found on one of my rolls where a guy is approaching a girl in one frame, and then the next frame he is taking her away somewheres. By the time I had it developed, I could piece together where and when it was taken but the circumstances surrounding the individuals involved remain unclear. This encounter kinda represents why I love carrying the camera around again since it has been years since I’ve had anything handy to snap candids with. It’s a total departure from the work I’m used to making these days and a welcome return to something from the past.

Your advice to future Lubitel 166+ shooters
RS: Get a super sweet, old-school, leather bag, carry the thing everywhere you go and act really aloof and arty when explaining to people how you love shooting film again. Not that you have anything against digital, in fact, you love it and will punch anyone in the face who says otherwise or tries to say that film is the ONLY way to go. Also, make sure to tell the lab who processes your film not to sharpen their scans because their crappy scanner is already killing the essence of the film as it is and anyway to lessen the blow of that would be great thank you.

The one person (living or deceased) who you would most like to photograph?
RS: hah, impossible question. How about the girl who played Little Orphan Annie in the 80’s movie version? Short, red, curly hair and freckles pretty much rule life so anyone with any of that going on is good.

Please check out the full interview and more images from Ryan here!

Thanks Mate.

So I know I’ve been a little animal crazy lately… why change now?

Here is an ad from Australian agency Jay Grey. Get it?! See the team who made this happen below.

Check out the funny TV spot that went along with it here.

Team info:

Advertising Agency: JayGrey Sydney Australia
Art Directors: Jay Furby, David White
Copywriters: Jay Furby, David White
Photographer: Toby Burrows

Smile, it’s Wednesday.

As I bounce around internetland, I aim to bring you all something you might like and get you either smiling or thinking. Today I’m aiming for a smile. And, considering I have a puppy sleeping in my lap, I may be a little biased towards certain subject matter.

Here are some images from Maarten Wetsema. They’re making my day. I hope you like them too.

Hey baby.

Check out the site and catalog layouts for Evan Kafka’s recent Aprica campaign! I loved the concept for this shoot with the focus being on the kids’ expressions. See the site and Evan’s portfolio for the originals!

Client: Aprica

Agency: McKinney

Photographer: Evan Kafka, Glasshouse Assignment

Wardrobe and Props Stylist: Ellen Silverstein

Makeup and Grooming: Nikki Wang

For more information on Evan’s photography or for portfolio requests, please contact his rep (me):

Jacqueline Bovaird  •  212-462-4538

jacqueline@glasshouseassignment.com

AMEN.

Here ye here ye…

A Photo Editor, in his weekly “Ask Anything” feature, examines this question: Does a photographer need a rep and do they really get you work?

I couldn’t agree more with many of the sentiments here! Here are some of my favorite quotes…

“Reps do get you work, but they alone can’t do it by themselves. You have to step up to the plate and bring your game…”

“We definitely feel like a rep can be a great asset, but you have to be willing to still do the dirty work and get out there. One of our favorite reps once said ‘A photographer once asked me ‘what have you done for me lately’ and I responded with ‘you should be asking me, what can I do to help you?'”

“A rep is like a channel that, gets your portfolio out there into the world for people to see. It’s still up to me as the photographer to create better work, and the brand that goes with that.”

“I do think that having a rep will improve your chances when you break down being successful in this industry it comes down to making better images, and showing more people. In a sense you are the one that has to make better images, but a rep will help you show more people. More than that, a lot of times art buyers will use reps as resources to recommend a type of photographer.”

PDN 30 Announced

I have mixed feelings about this particular rating, but it is still worth checking out to start your day off with some quality work. Congrats to everyone!!

New from Ryan Schude

Check out a new portrait from Glasshouse Assignment photographer and resident creative powerhouse, Ryan Schude. How come my world isn’t this sexy red color? Enjoy!!

See this image larger as well as more of Ryan Schude’s personal work here, on his blog. Check out his main portfolio here and here.

For more information on Ryan Schude’s photography or for portfolio requests, please contact his rep (me):

Jacqueline Bovaird  •  212-462-4538

jacqueline@glasshouseassignment.com