Photographer’s Location, Continued.

Our last Q&A discussed how a photographer’s location factors into their career and business. I put this question out to some of my favorite people in the industry and received some amazing responses. Neil Binkley from Wonderful Machine, wrote me a wonderful piece to use in the Q&A. Unfortunately, I could only use an excerpt from his answer because of length. That doesn’t mean everyone should miss out on his great insight! Therefore, I’ve included Neil’s full answer, packed with lots of practical advice, below. Enjoy!! Thanks Neil!!

Make sure to check out Wonderful Machine and their blog as well.

Q&A: How does a photographer’s location affect their career?

NEIL BINKLEY, Publicity Director, Wonderful Machine

I think a photographer can make almost any location work for their career. There are benefits to living in New York, NY or Austin, TX, professionally and personally. I’ll let you decide what personally fits your lifestyle, and I’ll focus on the professional.

As for my background: I’ve enjoyed living in larger and smaller cities, having worked in creative fields in New York, Los Angeles, Portland, and now Philadelphia. And working for Wonderful Machine, I’ve seen that art buyers appreciate that we have photographers listed by location, in addition to specialty. Clients contact us to say how refreshing it is to find a solid photographer in smaller markets, because they’re often less familiar with talent in these cities.

We also feature international photographers, so what I talk about below applies to them in many ways. So when I mention “New York,” you can usually substitute it with “London.” The basic tenets of marketing, networking and professionalism should apply, no matter your location. Of course, each country has its challenges, so I’m focusing on the United States for ease of illustration.

And before I go further, I’m going under the assumption that we’re mostly discussing larger and smaller cities, and not with living on a farm in North Dakota, 10 hours from electricity. I would save that for retirement or when you’re so famous that clients will fly you by helicopter to anywhere you desire to do a shoot.

The exception to this are photographers whose location is more integral to their specialty. For example, there are action/adventure photographers like Tyler Stableford, who works out of Aspen partially because of the scenic backdrops required for his specialty.

I’m also assuming that a photographer has done their homework and researched the kind of clients that inhabit their city, or one they’re considering moving to. Agency Access and Adbase are a good start. Also, I know that the Philadelphia Business Journal has a “Book of Lists” which catalogues the top 50 or 100 companies in every industry imaginable in my city. If your town doesn’t offer such a resource, you can find this information for most cities on the internet these days.

In terms of location, I would say that a photographer has a better chance of getting work if they live in or within an hour or two of any city. Additionally, if you are willing to work as a local to the city, and not charge extravagant mileage to your clients, then you will have greater flexibility in how close you need to live to the city’s center.

And honestly, there are people living in Long Island, NY who are a further commute to a Manhattan shoot than some photographers driving there from Philadelphia. And I know some established photographers who will shoot an editorial assignment six hours away for the right project and compensation. You’d be surprised at how close Boston, New York, Philadelphia and Washington, DC are.

Keep in mind, however, that some assignments can come last-minute. It’s for this reason that we recommend to our photographers that they list only the city that they’re headquartered out of. Every client knows that, for the right  project, they can fly a photographer from Kalamazoo to Paris. But they also hire regional photographers who knows the culture of their city and can navigate it well in a tight spot. And who who won’t unexpectedly add a plane flight and car rental as list items on their invoice.

As for where the clients are, there’s no doubt that the bulk of the magazine and publishing world is headquartered in New York, for example. Same with the major ad agencies that have a strong presence, if not headquarters, here. And it’s (almost inarguably) the epicenter of our industry, both in terms of prestigious work and influence. But here’s the thing: New York clients need photographers to shoot all over the world!

On the “smaller” city side of things: most cities have some Fortune 500 corporation headquartered there, not to mention ad agencies, graphic design firms, universities, hospitals, and (at least) a city magazine or two.

In the case of the city/regional magazines, they often provide excellent portfolio opportunities for photographers, which can lead to recognition from the New York players. Texas Monthly is an influential regional mag that comes to mind. Plus, most New York magazines need to shoot a CEO or celebrity from Atlanta at some point.

As I also mentioned, there are plenty of award-winning agencies and boutique design shops in most markets (eg. Wieden + Kennedy’s headquarters are in Portland). And the corporations and institutions can provide steady annual report and other collateral work, too.

Also, working out of a smaller market can make you a big fish in a small pond and perhaps more visible to agencies in larger cities. Another consideration for you may be: if you’re financially and creatively happy living in a smaller city, do you really need to move to a larger city.

By the way, this is not meant to beat up on New York o. On the contrary, some of the world’s most accomplished and influential photographers live there and other major cities. And emerging photographers might do well to assist them to learn from “the best.” Plus, it’s easier to run into one of BBDO’s creative directors at your friend’s party in SOHO than in it is in Sheboygan, WI (nothing against the place).

At the end of the day, I recommend trying to live where you wish and seek work with appropriate clients in your own backyard, nationally, and internationally, too. So go show them your portfolio!

Q&A: A Photographer’s Location

Q&A: How does a photographer’s location affect their career?

This is one of the questions I always get asked by photographers. Once upon a time, clients could afford to fly you, your assistants, and your ten thousands bags of equipment anywhere they wanted. Now, with the budgets collapsing and the competition from small towns growing, clients don’t have to go that extra mile for you.

There are definitely pros and cons to living in a big photography hub like New York or Los Angeles. With the convenience to photo studios, assistants, equipment, and locations also comes competition and higher costs. Competition in these places is really steep, but that can help to drive you and your work forward and also build a community of people who want (and need) to help each other. Having people around you who understand the hassles of your job can be essential at times.

If the city is your thing, then use it to make you a better photographer. Use the competition to throttle your work forward and take the time to build a community there. Meet your clients face to face and shake their hands. If you can’t stand tall buildings and the city life, then you’re going to have to work a little harder to get the jobs there. Your location will be an asset and a weakness, but if your marketing strategy is prepared for that then there shouldn’t be any barriers to you having a successful career. My advice would be to live in a place that makes you happy and fuels your work and, when in doubt, bid as a local!

For this month’s Q&A we’ve put this question out to some of our favorite industry creatives as well as to our own photographers. As always, thank you so much to all the contributors for making this discussion possible! From all of us here at Glasshouse Assignment, have a happy and healthy holiday season and we look forward to seeing you in 2010!

– Jacqueline Bovaird, Photo Rep, Glasshouse Assignment

RYAN SCHUDE, Photographer, Los Angeles, CA

I remember reading an article in PDN a few years back about photographers living in places like Boise that had no problem working full time because the client would simply fly them out for a shoot. This sounded amazing. These photographers could live their chill lifestyle, raise a family on their own terms and not live in obnoxious places like Los Angeles. Don’t get me wrong, after living here for a while I have grown to love LA but my decision to move here was definitely based around the assumption that it is easier to get work if you are close to where the work is happening. The story completely changes in regards to personal work. I can’t imagine any other city providing the resources available here as far as talent, location, props, equipment and a community of people so down to have fun making photos.

JASON LAU, Art Producer/Buyer, Team One USA

I think it depends on the circumstance. Typically we don’t limit our creatives to only local photographers. There have been plenty of instances where we were able to fly out the photographer and first assistant if we can fit it in the budget. I’ve dealt with reps that are willing to make the job happen if it comes down to travel cost. If we’re shooting something that is simple that doesn’t require too much expertise we would probably pick someone local since most of the time these types of shoots are quick. We always want to create great work so we don’t want to limit ourselves to locals only.

EVAN KAFKA, Photographer, New York, NY

I get a lot of my jobs because I am in NYC. There are a lot of shoots that happen in the city only because it’s more convenient for the agencies and magazines, particularly if clients want to be on set. There is a lot of concept and product stuff that could be done anywhere but it’s done here for convenience.

Since it is easy to fly out of New York, I used to get flown around a lot for editorial jobs. That seems to be happening less and less though as magazines cut back. If you can find a midsized market where you can shine, then maybe that is a better life. It’s crazy how many good photographers there are here and the competition is steep. I could live in the suburbs I guess, but I can’t imagine life without walking to work.

MANUELA OPREA, Photo Editor, Adweek Media

Location and the possibility of another [travel] cost is something that I have to consider when assigning a shoot, now more then ever. 
Most of the photographers I’ve worked with have offered to drive beyond the usual city limits without incurring a major travel expense. This is very helpful when trying to meet the budget. What I also find useful is getting travel updates from photographers. Then I don’t have to worry about the transportation cost for the shoot since they are already at that location.

MIHA MATEI, Photographer, New York, NY and Los Angeles, CA

(New York, NY and Los Angeles, CA ) If you want to be competitive in a big city market, I think it’s wise to bid as a local, especially if it’s a big job that you want to add to your portfolio. With everyone cutting corners these days, clients want to see that their budgets are wisely spent. Keep your bid competitive in all other aspects, but if you’re going up against a local whose portfolio is just as strong as yours, you might not win the job because of the added transportation cost. If you’re living in a small town, chances are that your operating costs and living expenses are lower than those in a big city, so at the end of the year, you’ll probably still have less overhead even with transportation costs added in.

NEIL BINKLEY, Publicity Director, Wonderful Machine

I think a photographer can make almost any location work for their career. There are benefits to living in New York, NY or Austin, TX, professionally and personally. I’ll let you decide what personally fits your lifestyle, and I’ll focus on the professional.

As for my background: I’ve enjoyed living in larger and smaller cities, having worked in creative fields in New York, Los Angeles, Portland, and now Philadelphia. And working for Wonderful Machine, I’ve seen that art buyers appreciate that we have photographers listed by location, in addition to specialty. Clients contact us to say how refreshing it is to find a solid photographer in smaller markets, because they’re often less familiar with talent in these cities.

The exception to this are photographers whose location is more integral to their specialty. For example, there are action/adventure photographers like Tyler Stableford, who works out of Aspen partially because of the scenic backdrops required for his specialty. In terms of location, I would say that a photographer has a better chance of getting work if they live in or within an hour or two of any city. Additionally, if you are willing to work as a local to the city, and not charge extravagant mileage to your clients, then you will have greater flexibility in how close you need to live to the city’s center.

As for where the clients are, there’s no doubt that the bulk of the magazine and publishing world is headquartered in New York, for example. Same with the major ad agencies that have a strong presence, if not headquarters, here. And it’s (almost unarguably) the epicenter of our industry, both in terms of prestigious work and influence. But here’s the thing: New York clients need photographers to shoot all over the world!

Working out of a smaller market can make you a big fish in a small pond and perhaps more visible to agencies in larger cities. Another consideration for you may be: if you’re financially and creatively happy living in a smaller city, do you really need to move to a larger city? At the end of the day, I recommend trying to live where you wish and seek work with appropriate clients in your own backyard, nationally, and internationally, too. So go show them your portfolio!

Keep a look out for next month’s Q&A! I am always looking for new voices and new ideas so if you have comments, questions, or if you’d like to participate, please feel free to email me!

This Q&A exists as a monthly email blast and as a post on this blog. If you would like to receive our monthly email, please feel free to contact me and I would be happy to add you to our list!

Jacqueline Bovaird, Assignment Representative

212 – 462 – 4538  •  jacqueline@glasshouseassignment.com

Babies are funny

These landed in my inbox today and they make me very happy. I wouldn’t call myself a “baby person” but some of Evan Kafka’s work might convert me. How come I never see these faces in babies? How does he get these expressions? Thanks Evan!

Check out more of his baby images here.

Ryan Pfluger in GQ

Check out our very own Ryan Pfluger the recent issue of GQ! Here are some more images from Ryan’s shoot with Alexander Olch.

Want to see more from Ryan? Of course you do!! Check out his fashion and portrait portfolios.

Mediaweek and Evan Kafka win Ozzie Award!

Some of you may remember when Evan Kafka shot Robert Safian of Fast Company for Mediaweek. The article won an Ozzie Award! I know the Ozzie awards may be random for some of you, but for the rest of us this is an important acknowledgment. The Eddie and Ozzie awards recognize excellence in magazine design. Mediaweek won a silver in the category of Best Feature Design. Check out the full list of winners here. Congrats to everyone at Adweek / Mediaweek and to Evan Kafka!


Best Feature Design, B-to-B under 100,000 circulation

Silver Winner:
Mediaweek
“The Hot List”
Nielsen Business Media
March 23, 2009

Check out the tear sheets below and click here to see Evan Kafka’s corporate portfolio!

Winter

I don’t know how the weather is where you are, but here in New York we’re cold and winter isn’t seeming so friendly. Check out the charming side of the season with the new winter lightbox from our stock division, Glasshouse Images!

Image #: 8855000055
Image #: 1195100280

Spray and Pray

Need to send a subtle message to that special photographer in your life? Here is a funny graphic sold on shirts and other misc. stuff here.

Thanks to Rob for finding this! Source.

New from Evan Kafka!

As promised, here are some new images from Evan Kafka’s campaign for the Institute of Managing Accountants! As with the majority of Evan’s work, I am loving these! We will be sprinkling a few into his online and printed portfolio very soon. I always think it is interesting to see how designers incorporate the images into the final product, so I’ve included samples from the brochure below for your viewing pleasure!

Special thanks to Renee Marmer, who has been so wonderful to work with on this, and Darien Birks, who did an incredible job designing the final brochure!

Check out the new updated to Evan’s portfolio on our site and his!

Photographer: Evan Kafka

Client: IMA (Institute of Managing Accountants)

Agency: Addison

Stylist: Ellen Silverstein

Hair and Makeup: Nikki Wang

Selections from the final product brochure:

Photo of my day

Here is a photograph from a recent advertising campaign shot by our photographer Evan Kafka. Isn’t it gorgeous?! The shot was originally in color, but then Evan thought he’d try transferring it to black and white. Something about this man’s intense look and the way his face falls into his hand make this image completely magical for me. I’m enormously fortunate to represent photographers who inspire me and remind me what a powerful image can be… If you didn’t know before, now you all know why I love Evan so much! I realize photography is so subjective, but this is definitely the photo of my day.

So here is your teaser for a bigger, more complete post which will come around tomorrow. I’ll be posting more of our favorites from this campaign as well as the final layouts so you can see how the designer put it all together!

See Evan’s entire portfolio on our site here and on his site, and keep a look out for my post tomorrow!

Photo of my day

Here’s a photo from our newest addition, Ryan Pfluger. I couldn’t figure out a way to include it in his online portfolio… it just doesn’t seem to fit anywhere. I’ll keep working on getting it in though, I love it!

Check out Ryan’s brand new fashion and portrait portfolios, as well as his blog.

For portfolio requests or questions about Ryan Pfluger, contact me:

Jacqueline Bovaird, Assignment Representative

212 . 462 . 4538  |  jacqueline@glasshouseassignment.com

Top 10 Apps for Photographers

While I tend to tell photographers to rely less on technology and more on their own eye, who doesn’t love a good iphone app? Check out PDN’s Top 10 iPhone Apps for Photographers.

Online Magazines

While I don’t feel qualified to predict the future of editorial (who is?), I do know what I like.. and I like Issuu.

Similar to MagCloud and other online magazine boutiques, Issuu allows its users to publish their own editorial content online. Of course, nothing is perfect and the sites are still evolving. The important thing seems to be that they’re evolving fast and are pushed along by user-generated content, which is obviously the way things are taking off these days. The result seems to be a surge of really experimental and exciting design. I’ve yet to see some photography that blows me away on there (if you know of some, forward it along!). It is really the designers that I see to be jumping on this exciting bandwagon. Without the pressure of glossy pages and ad revenue, it seems people are experimenting more freely.

On this same thread, make sure you don’t miss Lonny Magazine, which was put together but the former crew at Domino Magazine.

Check out Issuu and Magcloud for the next big things. I am finding lots of inspiration here. Who knows! Perhaps you’ll see our very own Jacqueline Bovaird/Glasshouse Assignment/Stone Thrower online mag soon…who knows!

I’m definitely interested in this lately so check back soon for more on this.

Welcome back to work

Happy Thanksgiving to you all! How was it? Did you miss us?? Are you fat and happy now?

Well… welcome back to work.

The Next Generation

Check out Judith H. Dobrzynski’s latest post on The Daily Beast,  Magnum: The Next Generation. Three of the photographers are featured below. I’ve included an excerpt below.

Mark Power

The legendary photography collective Magnum returns to its Parisian roots with a new gallery and an exhibition celebrating its photographers of tomorrow.

Magnum Photos, the celebrated photojournalism cooperative founded in 1947 by Robert Capa, Henri Cartier-Bresson, David “Chim” Seymour and George Rodger, returned to its Parisian Left Bank roots last week: It opened a new gallery steps off the Boulevard Saint-Germain-des-Pres, just around the corner from Café de Flore and Brasserie Lipp.

Alessandra Sanguinetti

The first exhibit showcases works by photographers who joined the exclusive collective after 2000, along with some vintage works. And while Magnum photographers have always produced photos with a social comment, the newer pieces are rawer, more powerful, in the same way that much journalism these days has grown more opinionated.

Trent Parke

The Photographic Dictionary

I enjoy words almost as much as I enjoy pictures. Sometimes it can be difficult for to combine the two and I believe doing so can either add another level of interest to your images or it can ruin them all together. As a rep, it is much easier to talk about other people’s work than my own… maybe that’s why this job works for me and makes me happy.

I’m really excited by a new website I stumbled upon today called The Photographic Dictionary. I’m interested in how they choose their definitions and inspired by how far from literal most of them are. Let me know what you think. I’ve included some of my favorite definitions below…

Ache

Ache  [eyk]

– verb (used without subject)

1. to have or suffer a continuous, dull pain: His whole body ached.

2. to feel great sympathy, pity, or the like: Her heart ached for the starving animals.

3. to feel eager, yearn, long: She ached to be the champion. He’s just aching to get even.

– noun

4. a continuous, dull pain (in contrast to a sharp, sudden, or sporadic pain).

Photo by Julia Feldman.

Herculean

Herculean  her•cu•le•an  [her-kyuh-lee-uhn, hur-kyoo-lee-uhn]

– adjective

1. requiring the great strength of a Hercules; very hard to perform: Digging the tunnel was a herculean task.

2. having enormous strength, courage, or size.

3. (initial capital letter) of or pertaining to Hercules or his labors.

Photo by Stefano Marchionini.

Edward Weston Model and Muse Dies

Charis Wilson, model, muse, and wife of photographer Edward Weston, died on November 20 at the age of 95. Wilson, who met Weston was she was 19 and he was in his late 40s, began posing for him. “After eight months we are closer together than ever,” Weston wrote in his diary in 1934. “Perhaps C. will be remembered as the great love of my life. Already I have reached certain heights reached with no other love.” The couple married several years later and remained together until their divorce in 1946. Many of Weston’s most memorable photographs—including a nude with her head bowed and her limbs entwined—are of Wilson. Much of her later years were spent writing and lecturing about Weston—her memoir, Through Another Lens, was published in 1999, and in 2007 she appeared in a documentary, Eloquent Nude.

The Daily Beast

Also check out this article on A Photo Editor: Interview with Edward Westons Wife and Muse, Charis Wilson

Food Photography Advice from Miha Matei

Miha Matei’s photography makes me so hungry,  which is exactly what you want in a food photographer! To get some tips on shooting food from Miha, check out a recent article she wrote for Kodak’s “Tips from the Pros” series!

See some of Miha’s amazing food photography below. Check out her full portfolio here and her new website!

Picture Black Friday

Ever notice how weird masses of people can be? Well, nothing is weirder than Black Friday shopping. I totally get the reasoning and we all know sales make us nuts, but the amount of nuts on Black Friday seems to go way beyond the norm.

If you’re in the mood to document the phenomenon, check out Picture Black Friday. I think it’s a great idea. See info below!

Every year, Black Friday rings in the yearly holiday shopping season, with hundreds of thousands of people getting up before sunrise to queue for bargains and deals; when the doors are unlocked, the stores being besieged by their own customers. During Black Friday last year, security guard Jdimytai Damour, was trampled to death by crazed shoppers as he tried to hold back bargain seekers at a Walmart in Long Island. Unfortunately, the uproar in the media was mostly over by the end of the weekend.

Picture Black Friday is a photojournalism project that aims to revisit and analyze a combination of forces-a worsening economy, financial desperation, excitement, fear, and a distinctly American cultural tradition-that culminate the morning after Thanksgiving.

More specifically, Picture Black Friday is an open call for photographers throughout the U.S. to go out and produce images that document Black Friday-how you see it, on your terms. Imagine this project as an open assignment: you have freedom to approach this event from any angle you wish, returning with single images or even a mini-project that documents Black Friday like no other media outlet will. A selection of these images will be exhibited on this site.

This project is the brainchild of New York City photographer John Saponara. John has partnered with Jake Stangel, founder of the photo resource site ‘too much chocolate‘ and Joerg Colberg, creator of the photoblog, Conscientious, to launch Picture Black Friday. The Picture Black Friday project will be accepting submissions for one week, beginning on Sunday, November 29th through December 6th. Photographers can submit up to 5 of their best images of and about Black Friday. Up to 400 characters of supporting text may accompany your images.

After the initial submission period ends, the Picture Black Friday judges will make a concise selection of work to be featured in a gallery on this site. Our jurors will then choose from that selection the best image(s) and the chosen photographer(s) will be featured on ‘too much chocolate’ as well as Conscientious.

Ryan Pfluger Portfolios Launched!

Glasshouse Assignment is proud to officially announce Ryan Pfluger as the newest addition to our roster!

Some of you have been privy to the buzz about adding Ryan Pfluger to our family. Well the time has finally come where I can announce it! I am so excited about working with him! Check out his fashion and portrait portfolios here!

As most of you know, we are very deliberate in our expansion of the roster here at Glasshouse. We are concerned with not only the quality of a photographer’s work, but also their personality and level of professionalism. We like to think we represent wonderful photography with wonderful people behind it. Ryan Pfluger is no exception. Not only are his images undeniably stunning, but his commitment to his work and taste level are inspiring.

For those of you who aren’t familiar with Ryan Pfluger, prepare to be wowed. Pfluger walks the line between portraiture, fashion, and fine art in a way that feels fluid and natural. He is the kind of person who puts you at ease and is genuinely interested in connecting with his subjects on a personal level, a process that is evident in his portraiture.

Need more? Contact me with questions, feedback, or portfolio requests.

Jacqueline Bovaird

212 – 462 – 4538  jacqueline@glasshouseassignment.com

Showering with Manjari Sharma

Manjari Sharma is not only a good friend of mine, but she’s a pretty darn good photographer too. You may remember my ranting and raving about her water project a while back. I’ve been interested in her recent shower series, and asked her to answer a few questions about it below so I could share it with you! Check it out and see Manj’s site here.


How did you begin the project?

I started to center my own showers around this light that came in through my bathroom window. It turned my bathroom into this glorious sun room for an hour. I started to invite people to shoot them showering in my shower. They obliged. To break it down however, the project began with following intuition. I remember thinking to myself It feels good so it will be good. From the onset this project was driven by passion. Passion for the light in the space and passion for the isolation and exclusivity I got with my subjects in that space. To be honest, this project truly gives voice to “follow your heart and the forget the rest” At some point, of course, after I had shot about five people, I knew I was on to something.

How did you choose the subjects?

My biggest rule of thumb has been not photographing people who are very very extremely close to me. There has so to be some level of nervousness and intrigue to the whole drama as it unfolds. Sometimes when you know someone too well, shedding your layers is not a big deal. The people in my pictures are usually ranging from friends, to acquaintance, to people I’ve met only once. I respond to certain type of person. In my head all my showerers somehow reflect me. I can’t put my finger on what I respond to but I know it when I see it.

How are you hoping it is received?
I hope this is received as my style of shooting, my aesthetic sentiment and translates to hired assignment work that walks the line of portraiture, fine-art and fashion.



Help Portrait

Are you a photographer? Do you own a camera and like to meet new people? Help Portrait is a cause that seems very worthy of your time and energy. Check it out here:

Help Portrait Logo

From the site:

The brainchild of celebrity photographer Jeremy Cowart, Help-Portrait is a movement of photographers, coming together in every major city, to use their photography skills to give back to the community. On December 12th, photographers around the world will be grabbing their cameras, finding people in need, and taking their picture.When the prints are ready, the photographs get delivered. Yep. It really is that easy. And by the way, we don’t want to see your photos. This is about GIVING the pictures, not taking them. These portraits are not for your portfolio, website, or for sale. Money isn’t involved here. This holiday season, you have the chance to give a family something they may have never had before- a portrait together.Our mission? Our mission at Help-Portrait is simply to equip and mobilize you. We want to make sure you have all the information that you need to successful participate in Help-Portrait on 12.12.09. We want to help you find other people in your area that are wanting to be part of Help-Portrait or have already begun to plan the event. We want you to have the opportunity to give.

Check out their video here, which will give you a better idea of the project:

Ryan Schude, Family Portraits

Have you seen these two new photos from Ryan Schude? I’m loving the retro feel to them, which is fitting in perfectly with Schude’s clever style.Ryan Schude

See the larger, more gorgeous version here.

Ryan SchudeYou like? See more of Ryan Schude’s work on his site and ours.

The Ultimate Photo Camping Trip!

I love camping.

I love photographers.

A camping trip with a bunch of photographers!?! YES.

Phoot CampApparently, there’s something different in the air in California. From my desk chair here in New York, it seems photographers in LA and San Fran simply like each other more. They also like to work with each other and get excited about collaborating, which isn’t the vibe I get here in New York at all.

Laura Brunow Miner recently had an absolutely brilliant idea (she is the former editor in chief of JPG Mag and is now working on more brilliant ideas at Pictory). She invited a bunch of her favorite photo people to a camping trip, including Glasshouse Assignment photographer Ryan Schude! They’d play in the woods and see what sort of things happened. Well… really awesome pictures happened… and it seems a lot of fun too. I’m guessing a few friendships blossomed as well, which is apparently what they do over there on the west coast.

This is the first year of Phoot Camp but I’m sure there will be more to come. What is a rep from New York have to do to get an invite!?!

See the slide show explain more about Phoot Camp here.

This year’s attendees (in no particular order):

Daniel Gebhart, Ryan Schude, Chad Nicholson, Nate Bolt, Michael O’Neal, Laura Brunow Miner, Mona T. Brooks, Kevin “Lomokev” Meredith, Steph Goralnick, Eddy “Aqui-Ali” Joaquim, Paul “Dunny” Octavious Cribb, Cody Austin, Dan Busta, Lis Bokt, Derek Wood, Brian O’Hara, Amit Gupta and Jen Giese.

Phoot Camp

Above photos by Dan Busta.

Check out the Phoot Camp site (yes, it’s spelled Phoot). And see some of Ryan’s photographs from the trip below.

Here is one of his group shots. I can’t decide whether this photo is frightening or not, but I like it!

Ryan Schude, Phoot Camp

Warning: This blog size does not do this image justice: CLICK HERE FOR FULL SIZE IMAGE.

Chad Nicholson (photographed by Ryan Schude)Chad Nicholson (photographed by Ryan Schude)

Ryan Schude

Dan and Ryan just getting home after a long, photo-fun-filled trip.

Want to see more from Ryan Schude??? We know.. we agree that his work is amazing. See his website and his portfolio on our site.

For portfolio requests and assignments, contact his rep (me!):

Jacqueline Bovaird

jacqueline@glasshouseassignment.com  •  (212) 462-4538

Finn O’Hara and a very large dog named Darcy

As an agent, I get oodles of promotional emails a day from photographers. Don’t get me wrong, I’m not complaining! I love seeing new work from people. That being said, sometimes I have the time to look and click around, other days I’m so busy that I’m only checking the emails that are absolutely necessary. When sending out email promotions, there is certainly an element of luck involved in order to hit at a time when people have the patience and time to open your email. Since you can’t control luck, I say rely on your images. If your photographs in the email are fantastic, you will get responses. Finn O'Hara

As I’m sure many of you did, I just now received Finn O’Hara’s email blast. This spread he used to promote his new Ireland shots blew me away. I want to jump into the scene and play with that dog right now (which he then told me is named Darcy). I immediately clicked on the link. Those of you who know me know I’m a sucker for a great dog….so maybe this was an easy sell, but I’m attributing it to great photography. Thanks Finn!

Check out Finn O’Hara’s new work HERE.

Finn O'Hara

Last Days of Gourmet Magazine…

Kevin DeMaria, former Art Director at Gourmet Magazine recently posted photos from the final days of the magazine’s office. So sad… check them out here.

Last Days of Gourmet

Last Days of Gourmet